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छ्येलेमि:Eukesh/Auto/NepalScript/लियोनार्दो दा भिन्सी

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देवनागरीइ ब्वनेत: लियोनार्दो दा भिन्सी तियादिसँ

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𑐮𑐶𑐫𑑀𑐣𑐵𑐬𑑂𑐡𑑀 𑐡𑐵 𑐨𑐶𑐣𑑂𑐳𑐷
𑐮𑐶𑐫𑑀𑐣𑐵𑐬𑑂𑐡𑑀𑐫𑐵 𑐁𑐟𑑂𑐩𑐎𑐶𑐥𑐵, 𑐎𑐬𑐶𑐧 𑐳𑐣𑑂 𑑑𑑕𑑑𑑒 𑐣𑐶𑐳𑐾𑑄 𑑑𑑕𑑑𑑕 [] Royal Library of Turin
Birth name𑐮𑐶𑐫𑑀𑐣𑐵𑐬𑑂𑐡𑑀 𑐡𑐶 𑐳𑐾𑐬 𑐥𑐶𑐫𑐬𑑀 𑐡𑐵 𑐨𑐶𑐣𑑂𑐳𑐷
Born(1452-04-15)अप्रिल 15, सन् 1452
𑐨𑐶𑐣𑑂𑐳𑐷, 𑐂𑐚𑐵𑐮𑐷, 𑐦𑑂𑐮𑑀𑐬𑐾𑐣𑑂𑐳𑐣𑐵𑐥𑑄
Diedमे 2, 1519(1519-05-02) (आयु 67)
𑐊𑐩𑑂𑐧𑑂𑐬𑑀𑐂𑐖, 𑐦𑑂𑐬𑐵𑐣𑑂𑐳
Nationality𑐂𑐚𑐵𑐮𑐷𑐩𑐶
FieldMany and diverse fields of arts and sciences
MovementHigh Renaissance
WorksMona Lisa, The Last Supper, The Vitruvian Man

𑐮𑐶𑐫𑑀𑐣𑐵𑐬𑑂𑐡𑑀 𑐳𑐾𑐬 𑐥𑐶𑐫𑐬𑑀 𑐡𑐵 𑐨𑐶𑐣𑑂𑐳𑐷 (𑐀𑐥𑑂𑐬𑐶𑐮 𑑑𑑕, 𑐳𑐣𑑂 𑑑𑑔𑑕𑑒 𑐣𑐶𑐳𑐾𑑄 𑐩𑐾 𑑒, 𑐳𑐣𑑂 𑑑𑑕𑑑) 𑐕𑐩𑑂𑐴 𑐂𑐟𑐵𑐮𑐶𑐫𑐣 𑐥𑐸𑐣𑐬𑑂𑐖𑐵𑐐𑐬𑐞𑐎𑐵𑐮𑐷𑐣 𑐧𑐴𑐸𑐥𑑂𑐬𑐟𑐶𑐨𑐵𑐱𑐵𑐮𑐷 𑐰𑑂𑐫𑐎𑑂𑐟𑐶𑐟𑑂𑐟𑑂𑐰 𑐏। 𑐰𑐫𑑂𑐎𑑅 𑐕𑐩𑑂𑐴 𑐔𑐶𑐟𑑂𑐬𑐎𑐵𑐬, 𑐱𑐶𑐮𑐵𑐎𑐵𑐬, 𑐩𑐹𑐬𑑂𑐟𑐶𑐎𑐵𑐬, 𑐰𑐵𑐳𑑂𑐟𑐸𑐱𑐵𑐳𑑂𑐟𑑂𑐬𑐷, 𑐳𑑄𑐐𑐷𑐟𑐎𑐵𑐬, 𑐰𑐿𑐖𑑂𑐘𑐵𑐣𑐶𑐎, 𑐐𑐞𑐶𑐟𑐖𑑂𑐘, 𑐀𑐨𑐶𑐫𑐵𑐣𑑂𑐟𑑂𑐬𑐶𑐎, 𑐁𑐰𑐶𑐲𑑂𑐎𑐵𑐬𑐎, 𑐩𑐵𑐣𑐰 𑐳𑑄𑐬𑐔𑐣𑐵𑐱𑐵𑐳𑑂𑐟𑑂𑐬𑐷, 𑐨𑐹𑐐𑐬𑑂𑐨𑐰𑐶𑐡𑑂, 𑐩𑐵𑐣𑐎𑐶𑐥𑐵𑐰𑐶𑐡𑑂, 𑐧𑑀𑐚𑐵𑐣𑐶𑐳𑑂𑐚 𑐰 𑐔𑑂𑐰𑐩𑐶 𑐏। 𑐰𑐫𑑂𑐎𑑅𑐫𑐵𑐟 𑐁𑐥𑐵𑐮𑑄 𑐥𑐸𑐣𑐬𑑂𑐖𑐵𑐐𑐬𑐞𑐫𑐵 𑐁𑐡𑐬𑑂𑐱𑐫𑐵 𑐬𑐸𑐥𑐫𑑂 𑐎𑐵𑐫𑐾𑐐𑐸 𑐫𑐵। 𑐰𑐫𑑂𑐎𑑅𑐫𑐵𑐟 𑐀𑐘𑑂𑐎𑑂𑐰𑐾𑐣𑑂𑐔𑐾𑐧𑐮 𑐎𑑂𑐫𑐸𑐬𑐶𑐫𑑀𑐳𑐶𑐚𑐷 ("unquenchable curiosity") 𑐡𑐸𑐩𑑂𑐴 𑐩𑐣𑐸 𑐰 𑐦𑐾𑐨𑐬𑐶𑐱𑐮𑐷 𑐂𑐣𑑂𑐨𑐾𑐣𑑂𑐚𑐶𑐨 𑐂𑐩𑑂𑐫𑐵𑐖𑐶𑐣𑐾𑐳𑐣 ("feverishly inventive imagination") 𑐡𑐹𑐩𑑂𑐴 𑐩𑐣𑐸 𑐢𑐎𑐵 𑐰𑐬𑑂𑐞𑐣 𑐫𑐵𑐣𑐵 𑐟𑑅𑐐𑐸 𑐡𑐸। [] 𑐰𑐫𑑂𑐎𑑅𑐫𑐵𑐟 𑐁𑐥𑐵𑐮𑑄 𑐂𑐟𑐶𑐴𑐵𑐳𑐫𑐵 𑐡𑐎𑑂𑐎𑐮𑐾 𑐣𑐵𑐖𑐵𑐥𑐶𑑄 𑐔𑐶𑐟𑑂𑐬𑐎𑐵𑐬𑐫𑑂 𑐕𑐩𑑂𑐴 𑐰 𑐂𑐟𑐶𑐴𑐵𑐳𑐫𑑂 𑐡𑐎𑑂𑐎𑐮𑐾 𑐥𑑂𑐬𑐟𑐶𑐨𑐵𑐰𑐵𑐣 𑐩𑐣𑐸𑐫𑑂 𑐕𑐩𑑂𑐴𑐫𑐵 𑐬𑐸𑐥𑐫𑑂 𑐎𑐵𑐫𑐾𑐐𑐸 𑐫𑐵। []


𑐮𑐶𑐢𑑄𑐳𑐵

[सम्पादन]
  1. This drawing in red chalk is widely (though not universally) accepted as an original self-portrait. The main reason for hesitation in accepting it as a portrait of Leonardo is that, to modern eyes, the subject appears to be of a greater age than Leonardo ever achieved. It is possible that Leonardo drew this picture of himself deliberately aged, specifically for Raphael's portrait of him in The School of Athens.
  2. Gardner, Helen (1970). Art through the Ages, 450–456.
  3. Vasari, Boltraffio, Castiglione, "Anonimo" Gaddiano, Berensen, Taine, Fuseli, Rio, Bortolon, etc. See specific quotations under heading "Leonardo, the legend".

𑐥𑐸𑐔𑑅:𑐖𑐷𑐰𑐣𑐷