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Rembrandt Harmenszoon van Rijn
बुगु नां	Rembrandt Harmenszoon van Rijn
बुगु	(1606-07-15)जुलाई 15, सन् 1606 Leiden, 𑐣𑐾𑐡𑐬𑐮𑑂𑐫𑐵𑐞𑑂𑐜𑑂𑐳
मदुगु	अक्टोबर 4, 1669(1669-10-04) (आयु 63) 𑐊𑐩𑑂𑐳𑑂𑐚𑐬𑐜𑑂𑐫𑐵𑐩, 𑐣𑐾𑐡𑐬𑐮𑑂𑐫𑐵𑐞𑑂𑐜𑐳𑑂
राष्ट्रियता	𑐡𑐔
ख्यः	Painting, Printmaking
आन्दोलन	𑐡𑐔 𑐳𑑂𑐰𑐬𑑂𑐞 𑐫𑐸𑐐 𑐎𑐶𑐥𑐵
ज्या	Danaë, 1636 Jacob de Gheyn III, 1632 Anatomy Lesson of Dr. Nicolaes Tulp, 1632 Belshazzar's Feast, 1635 Night Watch, 1642

𑐬𑐾𑐩𑑂𑐧𑑂𑐬𑐵𑐣𑑂𑐜𑑂𑐚 𑐴𑐵𑐬𑑂𑐩𑐾𑐣𑑂𑐳𑑂𑐖𑐹𑐣 𑐨𑐵𑐣 𑐬𑐶𑐣 (𑐜𑐔 𑐨𑐵𑐲𑐵: Rembrandt Harmenszoon van Rijn) (𑐖𑐸𑐮𑐵𑐃 𑑑𑑕, 𑐳𑐣𑑂 𑑑𑑖𑑐𑑖 – 𑐀𑐎𑑂𑐚𑑀𑐧𑐬 𑑔, 𑐳𑐣𑑂 𑑑𑑖𑑖𑑙) 𑐕𑐩𑑂𑐴 𑐜𑐔 𑐔𑐶𑐟𑑂𑐬𑐎𑐵𑐬 𑐰 𑐊𑐔𑐬 𑐏। 𑐰𑐫𑑂‌𑐎𑑅𑐫𑐵𑐟 𑐁𑐥𑐵𑐮𑑄 𑐫𑐸𑐬𑑀𑐥𑐶𑐫𑐣 𑐂𑐟𑐶𑐴𑐵𑐳𑐫𑐵 𑐡𑐎𑑂𑐮𑐾 𑐟𑑅𑐢𑑄𑐥𑐶𑑄 𑐔𑐶𑐟𑑂𑐬𑐎𑐵𑐬 𑐰 𑐥𑑂𑐬𑐶𑐣𑑂𑐚𑐩𑐾𑐎𑐬𑐫𑑂 𑐕𑐩𑑂𑐴 𑐰 𑐣𑐾𑐡𑐬𑐮𑑂𑐫𑐵𑐞𑑂𑐜𑐫𑐵 𑐂𑐟𑐶𑐴𑐵𑐳𑐫𑐵 𑐡𑐎𑑂𑐮𑐾 𑐩𑐴𑐟𑑂𑐟𑑂𑐰𑐥𑐹𑐬𑑂𑐞 𑐎𑐮𑐵𑐎𑐵𑐬𑐫𑐀 𑐬𑐸𑐥𑐫𑑂 𑐎𑐵𑐫𑐾𑐐𑐸 𑐫𑐵। 𑐰𑐫𑑂‌𑐎𑑅𑐫𑐵 𑐎𑐮𑐵𑐫𑐵 𑐫𑐸𑐐𑐫𑐵𑐟 𑐜𑐔 𑐳𑐸𑐰𑐬𑑂𑐞 𑐫𑐸𑐐 𑐢𑐵𑐫𑐾𑐐𑐸 𑐫𑐵।

𑐟𑐬𑐸𑐞𑐵𑐰𑐳𑑂𑐠𑐵𑐫𑑂 𑐥𑑀𑐬𑑂𑐚𑑂𑐬𑐾𑐚 𑐎𑐶𑐥𑐵𑐩𑐶𑐫𑐵 𑐎𑐠𑑄 𑐳𑐦𑐮 𑐖𑐸𑐫𑐵𑐡𑐶𑐩𑑂𑐴 𑐰𑐫𑑂‌𑐎𑐮𑑄 𑐖𑐷𑐰𑐣𑐫𑐵 𑐄𑐟𑑂𑐟𑐬𑐵𑐬𑑂𑐢𑐫𑑂 𑐫𑐎𑑂𑐰 𑐰𑑂𑐫𑐎𑑂𑐟𑐶𑐐𑐟 𑐡𑐸𑑅𑐏 𑐰 𑐁𑐬𑑂𑐠𑐶𑐎 𑐳𑐩𑐳𑑂𑐫𑐵 𑐦𑐫𑐵𑐡𑐶𑐮। 𑐀𑐠𑐾 𑐖𑐸𑐳𑐵𑑄 𑐰𑐫𑑂‌𑐎𑑅𑐫𑐵 𑐎𑐶𑐥𑐵 𑐰𑐫𑑂‌𑐎𑑅𑐫𑐵 𑐖𑐷𑐰𑐣𑐫𑑂 𑐴𑐾 𑐳𑐶𑐎𑑂𑐎 𑐣𑐵𑑄𑐖𑐵𑐮 𑐰 𑐰𑐫𑑂‌𑐎𑑅𑐫𑐵𑐟 𑐎𑐶𑐥𑐵𑐩𑐶𑐫𑐵 𑐬𑐸𑐥𑐫𑑂 𑐖𑐷𑐰𑐣𑐡𑐔𑑂𑐕𑐶 𑐴𑐾 𑐴𑐣𑐶𑐐𑐸 𑐖𑐸𑐮। 𑐰𑐫𑑂‌𑐎𑐮𑑄 𑑒𑑐 𑐡𑑃 𑐟𑐎𑑂𑐎 𑐳𑐎𑐮 𑐠𑐾𑑄 𑐴𑐾 𑐣𑐵𑑄𑐖𑐵𑐥𑐶𑑄 𑐜𑐔 𑐎𑐶𑐥𑐵𑐩𑐶𑐟𑐫𑐾𑐟 𑐎𑐶𑐥𑐵 𑐳𑑂𑐫𑐣𑐵𑐡𑐶𑐮। 𑐰𑐫𑑂‌𑐎𑑅𑐫𑐵 𑐡𑐎𑑂𑐮𑐾 𑐳𑐷𑐬𑑂𑐖𑐣𑐱𑐷𑐮 𑐳𑐦𑐮𑐟𑐵 𑐰𑐫𑑂‌𑐎𑑅𑐫𑐵 𑐥𑑂𑐬𑑀𑐚𑑂𑐬𑐾𑐚 𑐎𑐶𑐥𑐵, 𑐁𑐟𑑂𑐩 𑐎𑐶𑐥𑐵 𑐰 𑐧𑐵𑐂𑐧𑐮𑐫𑐵 𑐎𑑂𑐲𑐞𑐟𑐾𑐐𑐸 𑐎𑐶𑐥𑐵𑐫𑑂 𑐏𑐣𑐾 𑐡𑐸। 𑐰𑐫𑑂‌𑐎𑑅𑐫𑐵 𑐁𑐟𑑂𑐩𑐎𑐶𑐥𑐵𑐟𑐫𑐾𑐳𑑄 𑐰𑐫𑑂‌𑐎𑑅𑐫𑐵 𑐕𑐐𑐹 𑐀𑐮𑐐 𑐰 𑐁𑐟𑑂𑐩𑐷𑐫 𑐁𑐟𑑂𑐩𑐎𑐠𑐵 𑐡𑐾𑐎𑐹𑐐𑐸 𑐡𑐸 𑐐𑐸𑐎𑐶𑐮𑐶 𑐎𑐶𑐥𑐵𑐩𑐶𑑄 𑐠𑑅𑐫𑐵𑐟 𑐂𑐩𑐵𑐣𑐡𑐵𑐬 𑐎𑐠𑑄 𑐣𑐶𑐬𑐶𑐎𑑂𑐲𑐞 𑐫𑐵𑑅𑐐𑐸 𑐡𑐸।

𑐎𑐶𑐥𑐵 𑐰 𑐥𑑂𑐬𑐶𑐣𑑂𑐚𑐩𑐾𑐎𑐶𑐒 𑐣𑐶𑐐𑐸𑐮𑐶𑑄 𑐴𑐾 𑐏𑑂𑐫𑐮𑐾 𑐰𑐫𑑂‌𑐎𑐮𑑄 𑐥𑑂𑐬𑐵𑐔𑐷𑐣 𑐁𑐂𑐎𑑀𑐣𑑀𑐐𑑂𑐬𑐵𑐦𑐷𑐂 𑐠𑑅𑐐𑐸 𑐖𑑂𑐘𑐵𑐣 𑐎𑑂𑐫𑐣𑐵𑐡𑐶𑐐𑐸 𑐡𑐸। 𑐠𑑂𑐰 𑐖𑑂𑐘𑐵𑐣𑐫𑐵𑐟 𑐰𑐫𑑂‌𑐎𑐮𑑄 𑐠𑑅𑐐𑐸 𑐁𑐰𑐱𑑂𑐫𑐎𑐟𑐵 𑐰 𑐀𑐣𑐸𑐨𑐰 𑐎𑐠𑑄 𑐧𑐵𑑄𑐮𑐵𑐎𑐵𑐡𑐶𑐐𑐸 𑐡𑐸। 𑐧𑐶𑐧𑑂𑐮𑐶𑐎𑐮 𑐎𑑂𑐲𑐞𑐫𑐵 𑐰𑐫𑑂‌𑐎𑑅𑐫𑐵 𑐎𑐶𑐥𑐵𑐫𑑂 𑐰𑐫𑑂‌𑐎𑐮𑑄 𑐳𑐦𑐹, 𑐎𑑂𑐮𑐵𑐳𑐶𑐎𑐮 𑐎𑐩𑑂𑐥𑑀𑐖𑐶𑐳𑐣 𑐰 𑐊𑐩𑑂𑐳𑑂𑐚𑐬𑐜𑑂𑐫𑐵𑐩𑐫𑑂 𑐰𑐫𑑂‌𑐎𑐮𑑄 𑐏𑐣𑐵𑐡𑐶𑐐𑐸 𑐫𑐴𑐸𑐡𑐷 𑐖𑐣𑐳𑑄𑐏𑑂𑐫𑐵𑐫𑐵 𑐰𑐬𑑂𑐞𑐣 𑐏𑐣𑐾𑐡𑐸 । 𑐰𑐫𑑂‌𑐎𑑅𑐫𑐵 𑐩𑐵𑐣𑐰𑐷𑐫 𑐀𑐰𑐳𑑂𑐠𑐵𑐫𑐵 𑐧𑐸𑐗𑐫𑐵 𑐣𑐶𑑄𑐟𑐶𑑄 𑐰𑐫𑑂‌𑐎𑑅𑐫𑐵𑐟 "𑐳𑐨𑑂𑐫𑐟𑐵𑐫𑐵 𑐡𑐎𑑂𑐮𑐾 𑐟𑐢𑑄𑐥𑐶𑑄 𑐥𑑂𑐬𑑀𑐦𑐾𑐚𑐫𑑂 𑐕𑐩𑑂𑐴" (one of the great prophets of civilization) 𑐢𑐎𑐵 𑐣𑑄 𑐴𑐣𑐶𑐐𑐸 𑐫𑐵।

𑐐𑑂𑐫𑐵𑐮𑐬𑐷

𑐁𑐟𑑂𑐩 𑐎𑐶𑐥𑐵

• 
  A young Rembrandt, c. 1628, when he was 22. Partly an exercise in chiaroscuro. Rijksmuseum
• 
  A more cheerful pose, also from ca. 1628, recently re-discovered.
• 
  Rembrandt in 1632, when he was enjoying great success as a fashionable portraitist in this style.
• 
  Role-playing in Self-portrait as an oriental Potentate with a Kris, etching, 1634.
• 
  Self-portrait leaning on a Sill, etching, 1639
• 
  1640, wearing a costume in the style of over a century earlier. National Gallery
• 
  Vienna c. 1655, oil on walnut, cut down in size.
• 
  Rembrandt - Self Portrait, 1659?, Edinburgh, detail.
• 
  Dated 1669, the year he died, though he looks much older in other portraits. National Gallery

𑐩𑐾𑐐𑐸 𑐎𑐶𑐥𑐵

• 
  Artist in his studio, 1629
• 
  The Philosopher in Meditation
• 
  Bust of an old man with helmet, 1630
• 
  Anatomy Lesson of Dr. Nicolaes Tulp, 1632
• 
  Portrait of Johannes Wtenbogaert, 1633 - a preacher, like many of the best portraits of the 1630s
• Abraham and Isaac, 1634
  Abraham and Isaac, 1634
• Descent from the Cross. 1634. 1634
  Descent from the Cross. 1634. 1634
• Artemis, 1634
  Artemis, 1634
• 
  Saskia as "Flora", 1635
• 
  Rembrandt and Saskia pose as "The Prodigal Son in the Tavern" - a portrait historié, 1635
• 
  The Blinding of Samson, 1636, which Rembrandt gave to Huyghens
• 
  Belshassar's Feast, 1636-8
• 
  The Archangel leaving Tobias, 1637
• 
  The Risen Christ Appearing to Mary Magdalen, 1638
• 
  the Mill, 1648
• 
  Bathing woman, modelled by Hendrickje, 1654
• 
  Bathsheba in her bath, also modelled by Hendrickje, 1654
• 
  Portrait of Jan Six, 1654. Six was a wealthy friend of Rembrandt.
• 
  Christ presented to the People, drypoint, 1655, State I of VII.
• 
  The Syndics of the Clothmakers' Guild, 1662
• 
  The Conspiracy of Claudius Civilis (cut-down), 1661-62
• 
  The Return of the Prodigal Son, c. 1669
• 
  Suzannah and the Elders, drawing, 1634
• 
  Christ and the woman taken in adultery, drawing
• 
  The Virgin and Child with a Cat, 1654. Original copper etching plate above, example of the print below.

𑐮𑐶𑐢𑑄𑐳𑐵

• Ackley, Clifford, et al, Rembrandt's Journey, Museum of Fine Arts, Boston, 2004. ISBN 0-87846-677-0
• Adams, Laurie Schneider (1999). Art Across Time. Volume II. McGraw-Hill College, New York, NY.
• Bull, Duncan, et al, Rembrandt-Caravaggio, Rijksmuseum, 2006.
• Clark, Kenneth, Civilisation, Harper & Row, 1969.
• Clark, Kenneth, An Introduction to Rembrandt, 1978, London, John Murray/Readers Union, 1978
• Clough, Shepard B. (1975). European History in a World Perspective. D.C. Heath and Company, Los Lexington, MA. ISBN 0-669-85555-3.
• Gombrich, E.H., The Story of Art, Phaidon, 1995. ISBN 0-7148-3355-X
• Hughes, Robert (2006), "The God of Realism", The New York Review of Books (Rea S. Hederman) 53 (6)
• The Complete Etchings of Rembrandt Reproduced in Original Size, Gary Schwartz (editor). New York: Dover, 1988. ISBN 0-486-28181-7
• Slive, Seymour, Dutch Painting, 1600-1800, Yale UP, 1995,ISBN 0-300-07451-4
• van de Wetering, Ernst, Rembrandt: The Painter at Work, Amsterdam University Press, 2000. ISBN 0-520-22668-2
• Rembrandt by himself (Christopher White - Editor, Quentin Buvelot - Editor) National Gallery Co Ltd [1999]
• Christopher White, The Late Etchings of Rembrandt, 1969, British Museum/Lund Humphries, London

Further reading

• Catalogue raisonné: Stichting Foundation Rembrandt Research Project:
  • A Corpus of Rembrandt Paintings - Volume I, which deals with works from Rembrandt’s early years in Leiden (1629-1631), 1982
  • A Corpus of Rembrandt Paintings - Volume II: 1631-1634. Bruyn, J., Haak, B. (et al.), Band 2, 1986, ISBN 978-90-247-3339-2
  • A Corpus of Rembrandt Paintings - Volume III, 1635-1642. Bruyn, J., Haak, B., Levie, S.H., van Thiel, P.J.J., van de Wetering, E. (Ed. Hrsg.), Band 3, 1990, ISBN 978-90-247-3781-9
  • A Corpus of Rembrandt Paintings - Volume IV. Ernst van de Wetering, Karin Groen et al. Springer, Dordrecht, the Netherlands (NL). ISBN 1-4020-3280-3. p. 692. (Self-Portraits)
• Rembrandt. Images and metaphors, Christian Tumpel (editor), Haus Books London 2006 ISBN 13: 978-1-904950-92-9
• Graaff, Arthur E.A.J. and Michiel V. Roscam Abbing (2006). Rembrandt for Dummies. Addison Wesley. ISBN 90-430-1280.
• Van De Wetering, Ernst (2004) (2nd paperback printing). The Painter At Work. University of California Press,Berkley and Los Angeles. University of California Press, London, England. By arrangement with Amsterdam University Press. ISBN O-520-22668-2.

External links

• Paintings by Rembrandt
• A biography of the artist Rembrandt Harmensz. van Rijn from the J. Paul Getty Museum
• Rembrandt's Late Religious Portraits at the National Gallery of Art, Washington
• Etchings by Rembrandt at the Museum of New Zealand Te Papa Tongarewa
• Rembrandt van Rijn in the "History of Art"
• Rembrandt's house in Amsterdam English version; site has good images of many of his etchings]
• Web Catalogue of Rembrandt's Paintings Over 600 paintings, including former and disputed attributions, divided into categories.
• Boston MFA Good images of almost all of Rembrandt's etchings. c400 images.
• Rijksmuseum in Amsterdam
• Rembrandt Research Project
• Webmuseum Paris: Lots of high-resolution scans of his paintings
• Encyclopedia Britannica article
• Rembrandt van Rijn - Life and Art
• Provenance Helpline A play by Jim Grover on art ownership, seen through the eyes of a Rembrandt double portrait.
• Biblical art by Rembrandt Harmensz. van Rijn A Themed collection
• The Rembrandt Signature Files. Information about Rembrandt's name and signatures.
• Literature

Template:1632 person referenced

* 𑐥𑐸𑐔𑑅:Dutch painters 𑐥𑐸𑐔𑑅:Dutch engravers 𑐥𑐸𑐔𑑅:Dutch Golden Age painters 𑐥𑐸𑐔𑑅:Baroque painters 𑐥𑐸𑐔𑑅:Portrait artists 𑐥𑐸𑐔𑑅:People from Leiden 𑐥𑐸𑐔𑑅:People from Amsterdam 𑐥𑐸𑐔𑑅:Leiden University 𑐥𑐸𑐔𑑅:𑑑𑑖𑑐𑑖𑐫𑑂 𑐧𑐸𑐐𑐸 𑐥𑐸𑐔𑑅:𑑑𑑖𑑐𑑗𑐫𑑂 𑐧𑐸𑐐𑐸 𑐥𑐸𑐔𑑅:𑑑𑑖𑑖𑑙𑐫𑑂 𑐩𑐡𑐸𑐐𑐸